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Il mondo non è banale? ░ Il linguaggio conveniente del Sublime Prefetto

¨ Sutta  (vedico: s ū tra; letteralmente: filo * ) del linguaggio conveniente del Sublime Prefetto ** Mia Nonna dello Zen così ha udito: una volta dimorava il Sublime Prefetto presso la Basilica di Sant’Antonio, nel codice catastale di Padua. E il Sublime così parlò: “Quattro caratteristiche, o mio bhikkh ū *** , dirigente dell’area del decreto di espulsione e dell’accoglienza e dirigente anche dell’area degli enti locali e delle cartelle esattoriali e dei fuochi d’artificio fatti come Buddho vuole ogni qualvolta che ad esempio si dica “cazzo di Buddha” o anche “alla madosca” o “gaudiosissimo pelo”, deve avere il linguaggio conveniente, non sconveniente, irreprensibile, incensurabile dagli intercettatori; quali quattro? Ecco, o mio dirigente che ha distrutto le macchie: un dirigente d’area parla proprio un linguaggio conveniente, non sconveniente, un linguaggio conforme alla Dottrina del Governo, non in contrasto con essa, un linguaggio gradevole, non sgradevole, un linguag

Ydessa Hendeles │Death to Pigs




Ydessa Hendeles at Kunsthalle Wien


Ydessa Hendeles at Kunsthalle Wien


Artist: Ydessa Hendeles
Venue: Kunsthalle Wien, Vienna
Exhibition Title: 
Death to Pigs
Date: February 28 – May 27, 2018
Curated by: Nicolaus Schafhausen
Ydessa Hendeles at Kunsthalle Wien
Ydessa Hendeles at Kunsthalle Wien
Ydessa Hendeles at Kunsthalle Wien
Full gallery of images, press release and link available after the jump.
Images:


































Images courtesy of the artist and Kunsthalle Wien, Vienna. Copyright Ydessa Hendeles. Photos by Stephan Wyckoff. 
Press Release:
Death to Pigs is the first institutional retrospective of Canadian artist Ydessa Hendeles in Europe. Hendeles interweaves personal experience with narrated and interpreted elements. In her complex room installations, she places art, historical artifacts, photography and audiovisual media in myriad interrelationships with one another. Her compositions can be read as provocative, psychologically charged meditations on human nature.
Spread across both halls of Kunsthalle Wien at its Museumsquartier location, the exhibition draws on several of the artist’s main areas of work from the past decade, showcasing them in the form of a multi-layered narrative. The central work, Death to Pigs, is a multi-part installation that discusses stigmatization and escalating violence on a metaphorical level. The title references the infamous Manson Family murders of the summer of 1969, when the killers tagged their crime scenes with the words “Death to Pigs.” From her wooden sleep… is the title of another spatial installation: an arrangement of roughly 150 life-size vintage, wooden, dolls.
The installations come across as dense, overlapping layers of precisely researched cultural-historical contents and autobiographical references. Recent works are also on show as well.
Hendeles’ œuvre is closely linked to her own biography as the daughter of Holocaust survivors. In a world marked by expulsion, uprooting, and trauma, her work is as much about historical events as recent, global developments.